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・ Joseph Hatton
・ Joseph Havel
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・ Joseph Hawkins (New York)
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Joseph Haydn's ethnicity
・ Joseph Hayes
・ Joseph Hayes (author)
・ Joseph Haynes
・ Joseph Hazelton
・ Joseph Hazelwood
・ Joseph Healy
・ Joseph Heath
・ Joseph Heco
・ Joseph Hector Leduc
・ Joseph Heicke
・ Joseph Heim
・ Joseph Heine
・ Joseph Heinrich Aloysius Gügler
・ Joseph Heintz


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Joseph Haydn's ethnicity : ウィキペディア英語版
Joseph Haydn's ethnicity
The ethnicity of the composer Joseph Haydn was a controversial matter in Haydn scholarship during a period lasting from the late 19th to the mid 20th century. The principal contending ethnicities were Croatian and German. Mainstream musical scholarship in the English language today adopts the second of these two hypotheses.
==Kuhač's Croatian hypothesis==

During the late 19th century, the Croatian ethnologist Franjo Kuhač gathered a great number of Croatian folk tunes in fieldwork. Kuhač was struck by the resemblance of a number of these tunes to themes found in Haydn's works, and suggested that Haydn knew these tunes and incorporated them into his work. Other scholars disagreed, suggesting instead that the Haydn original themes had circulated among the people, evolving gradually into more folk-like forms. For details and examples, see Haydn and folk music.
Haydn never set foot in Croatia, but he almost certainly lived in the vicinity of Croatian speakers. This is because migration in previous centuries had resulted in a considerable number of Croatians dwelling far to the north of Croatia in the Austro-Hungarian border region where Haydn was born and spent most of his life. This aspect of Kuhač's claim is considered uncontroversial, though the relative fraction of the population that was Croatian-speaking is in dispute.
Kuhač went on to claim that the reason Haydn used so many Croatian folk tunes in his music is that he was himself a Croatian; that is, a member of the Croatian diaspora. As such, he would have been a native speaker of Croatian and a participant in Croatian folk culture. Kuhač also claimed that the name "Haydn" is of Croatian origin ("Hajdin"), and likewise for the name of Haydn's mother, Maria Koller.
Kuhač wrote〔Kuhač (1880, cited below)〕 in Croatian, which would have been a barrier to scholarly transmission at the time. However, his works were studied by the English-speaking musicologist Henry Hadow, who promulgated them further in his book ''Haydn: A Croatian Composer'' (1897) and in the second and third editions (1904-1910; 1927) of the prestigious Grove Dictionary.

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